In 2012 the Spode Museum Trust opened the Spode Works Visitor Centre in part of the historic Spode factory. 1799 is the most likely date but it could perhaps be even a little earlier from circumstantial evidence. Others have tried to replicate its popularity but the quality and the stunning detail of the decoration on each plate remains unmatched to this day. The most famous pattern of which, “Italian”, introduced in 1816, continues to be made in quantity to this day. His son, Josiah Spode II, was certainly responsible for the successful marketing of English bone china. The source for this section is Hayden 1925, Chapter 5, pp. 62. Spode ‘Botanical Series’ pattern earthenware plate, transfer printed in blue, c.1828.  This pattern continued to be produced throughout the Copeland and Garrett period and can be found printed in green and in brown. The company was eventually bought by the Copeland family, then in 2009 it was acquired by the Portmeirion Group. Many fine examples of the elder Spode's productions were destroyed in a fire at Alexandra Palace, London in 1873, where they were included in an exhibition of nearly five thousand specimens of English pottery and porcelain. Earthenware plate in ‘Tumbledown Dick’ pattern, pattern number 3715 c.1823. On our page, Historic Spode Factory — The People, china painter Denis Emery can be seen decorating a Rhododendron pattern plate. Gift boxed. Get the best deals on Copeland Spode England when you shop the largest online selection at eBay.com. [13] After 1847 the business continued until 1970 as W.T. [4] The colour paste was worked into the cut areas of the copper plate and wiped from the uncut surfaces, and then printed by passing through rollers. Collectors use the dinnerware throughout the holiday season, in the kitchen, in the dining room, from Thanksgiving to the New Year. Pattern number 3073 c.1821 The trade name Felspar Porcelain was used in order to compete with Coalport, who were successfully branding their wares as Felspar Porcelain. Bone china, hybrid hard-paste porcelain containing bone ash. To adapt the process from the production of small porcelain teawares to larger earthenware dinnerwares required the creation of more flexible paper to transmit the designs from the engraved copper plate to the biscuit earthenware body, and the development of a glaze recipe that brought the color of the black-blue cobalt print to a brilliant perfection. These marks are divided into four main categories, including early Spode from 1770 to 1833, Copeland & Garrett from 1833 to 1847, WT Copeland from 1847 to 1970 and Spode from 1970 to 2014. The history and products of the Spode factory have inspired generations of historians and collectors, and a useful interactive online exhibition was launched in October 2010.[1]. The business was carried on through his sons at Stoke until April 1833. The technique was developed by adding calcined bone to this glassy frit, for example in the productions of Bow porcelain and Chelsea porcelain, and this was carried on from at least the 1750s onwards. Feel free to call Elegant Findings Antiques if you have any questions about our antique Spode china. Pattern number 3073 c.1821. Stonewares are particularly strong and less susceptible to breakage than earthenwares and Jasperwares. Spode’s are applied on various ceramic bodies – earthenwares, stone-wares and Bone China. Spode bone china Spode’s second contribution to the history of porcelain was the development, around 1790, of the formula for fine bone china that was generally adopted by the industry. It is copied from an earlier painting by Keeling in 1806 and engraved by William Greatbach, chief engraver for Spode. His son, Josiah Spode II, was certainly responsible for the successful marketing of English bone china. Green glazed earthenware pierced Violet Pot c.1820. Browse and shop from a large selection of Spode Christmas Tree China and Spode Christmas Tree Dishes at Macys.com. Spode II was appointed “Potter to the Prince of Wales” when the Prince Regent visited the factory in 1806. The tissue was then floated off in water, leaving the pattern adhering to the plate. Copeland and sons, and again the term 'Spode' or 'Late Spode' continued in use alongside the name of Copeland. Antique shape jug in earthenware with applied sprig mouldings of Bacchanalian cherubs and fruiting vines c.1820. These designs, including edge-patterns which had to be manipulated in sections, were cut out using scissors and applied to the biscuit-fired ware (using a white fabric), itself prepared with a gum solution. [15] Many items in Spode's Blue Italian and Woodland ranges are now made at Portmeirion Group's factory in Stoke-on-Trent. During the 18th century, many English potters were striving and competing to discover the industrial secret of the production of fine translucent porcelain. With a history of serving royalty and even as the dinnerware for the Titanic, Spode is a renowned name that belongs in your china collection! They were known for their bone china and their parian figures. and the company continued on the same site for nearly 250 years. This particular design is unusual in that an English flower subject is set within an Imari border. Spode has been part of Stoke-on-Trent's industrial heritage for almost 250 years. His early products comprised earthenwares such as creamware (a fine cream-coloured earthenware) and pearlware (a fine earthenware with a bluish glaze) as well as a range of stonewares including black basalt, caneware, and jasper which had been popularised by Josiah Wedgwood. Sixteen other versions of Tumbledown Dick pattern were produced. Thomas Minton, another Caughley-trained engraver, also supplied copper plates to Spode until he opened his own factory in Stoke-on-Trent in 1796. Founded by Josiah Spode in Stoke-on-Trent, England. One copy is in the Joseph Downes collection at Winterthur Museum, Gardens, and Library, Delaware, USA.[7]. These are sometimes called “candlelight patterns” as in flickering candlelight, the gilding comes alive and sparkles. Even before Spode arrived, this area was well known as “The Potteries,” one of Britain’s most important districts for the production of porcelain. Change Delivery Country. His basic formula of six parts bone ash, four parts china stone, and three and a half parts china clay remains the standard English body. He then worked in a number of partnerships until he went into business for himself, renting a small potworks in the town of Stoke-on-Trent in 1767; in 1776 he completed the purchase of what became the Spode factory until 2008. Spode also used on-glaze transfers for other wares. Painted marks are often in red and marks can also appear printed usually in blue or black, (although other colours were used) or impressed into the clay so appearing colourless. In 1922, Mr Fred Cuthbertson of Greenwich, Connecticut created the “Original Christmas Tree” pattern for fine dinnerware. As the technique for transfer printing on earthenwares was perfected, Spode’s blue and white transfer printed wares were generally considered to be among the finest ever made. The initial development of bone china is attributed to Josiah Spode the Second, who introduced it around 1800. [3]. [10] Armorial services were provided for the Honourable East India Company, 1823, and the Worshipful Company of Goldsmiths, c1824. In partnership with William Copeland, Josiah II continued the business for the next thirty years Under their management in the early 19th century, considered by many to be the “Golden Age” of English ceramics, the company grew to be the largest pottery in Stoke and a pre-eminent manufacturer of fine ceramics of every kind. This pattern, along with many others, is comprised only of a single coloured ground (here iron red) and gilding. Shop our sites: Shopping Spode . They also produced other kinds of bone china, earthenware, parian, etc. This method involved the engraving of a design on a copper plate, which was then printed onto gummed tissue. Pieces were not always marked and sometimes just a pattern number appears and no Spode name at all. When Spode employed the skilled engraver Thomas Lucas and printer James Richard, both of the Caughley factory, in 1783 he was able to introduce high quality blue printed earthenware to the market. Enjoy the variety of ceramics produced by the Spode factory and see the quality of productions that won them appointments as Potters to the Royal Family. Today, we continue to develop collections with the same quality and craftsmanship as Josiah Spode I and his son. He then worked in a number of partnerships until he went into business for himself, renting a small potworks in the town of Stoke-on-Trent in 1767; in 1776 he completed the purchase of what became the Spode factory until 2008. The Spode Christmas Tree china pattern was originally made in England by the Spode ceramic company. Spodes's pattern 967, the most popular imitation of "Imari" wares, was recorded in 1807. At this point, Spode craftspeople did not always mark their pieces, but typically did so in red paint. Spode Copeland discontinued china, replacements, pattern, bread plate, dinner, salad, cup and saucer, platter, vegetable bowl, dish, place settings, dinnerware The SPODE stamp found incised in the china. You are about to leave Spode.com to shop with .This will start a new shopping cart. This plate in Pattern number 1495, c.1810, is typical. The pattern books show 5,000 different “standard” patterns were produced during this period, but many more special order patterns were also made. The Invention of Bone China: The Spode company, under Spode I and Spode II, is credited by potters, collectors, researchers and other experts with having perfected the bone china formula before 1800. Spode felspar porcelain. In 2009, Spode was bought by the Portmerion Pottery. Josiah Spode I is credited[2] with the introduction of underglaze blue transfer printing on earthenware in 1783–84. It is sometimes included with the wording “Late Spode,” distinguishing these pieces with the Spode name. The Spode Christmas Tree pattern remains one of the most popular collectibles in the Spode line and in the history of the ceramics. This was then dipped in the glaze and returned to the kiln for the glost firing. About Spode. The purchase did not include Royal Worcester or Spode manufacturing facilities. The Copeland and Garrett mark, which was used from 1833 to 1847. (spode entrance) 1733-1833Travel through Spode’s historyDiscover the history of the Spode family and business by clicking on the timeline dates aboveExplore the evolution of Spode ceramics by clicking on the timeline images above ... Spode stone china. Spode china and dinnerware will help you set the table with impeccable style. Messrs Spode were succeeded in the same business in c. 1833 by Copeland and Garrett, who often used the name Spode in their marks. The dish illustrated is from the Caramanian series, taken from Luigi Mayer’s ‘Views in the Ottoman Empire’ published in 1803. Examples of both services illustrated in Copeland1998:35 figs 59, 60. Spode also mastered underglaze blue printing, a technique unknown in China. Overglaze "bat printing" on earthenware was a fairly straightforward process, and designs in a range of colours including black, red and lilac were produced. Although the Bow porcelain factory, Chelsea porcelain factory, Royal Worcester and Royal Crown Derby factories had, before Spode, established a proportion of about 40–45 per cent calcined bone in the formula as standard, it was Spode who first abandoned the practice of calcining or fritting the bone with some of the other ingredients, and used the simple mixture of bone ash, china stone and kaolin, which since his time set the basic recipe of bone china. Spode’s Felspar Porcelain, a variety of Bone China, was developed in 1821 and subsequently became the standard formula for most English Bone China. Spode pattern books, which record about 75000 patterns, survive from about 1800. 20% OFF SITEWIDE WINTER SALE NOW ON* FREE Standard … In 1785, Spode began producing its line of blue-on-pearl china , which was to become its first success thanks to the skill of designer Thomas Minton in the early 1790s. From afternoon tea and lunch to elegant dinner parties, discover iconic tableware collections at Spode. By 1815, underglaze blue printing techniques on earthenware had been perfected and large quantities of services were made, with designs based on a variety of topographical, botanical, Oriental and other subjects. A spectacular effect is achieved with just two ground-laid colours (iron red and cobalt blue) and gilding. Josiah Spode is also often credited with developing, around 1790, the formula for fine bone china that was generally adopted by the industry. Spode’s Felspar Porcelain is recognised as the forerunner of all modern English Bone China. Soapstone porcelains further added steatite, known as French chalk, for instance at Worcester and Caughley factories.[5]. Blue underglaze transfer became a standard feature of Staffordshire pottery. From here you can learn about the wide variety of pottery that was made at the Spode factory including the innovations and improvements introduced by Jo The Worcester and Caughley factories had commenced transfer printing underglaze and over glaze on porcelain in the early 1750s, and from 1756 overglaze printing was also applied to earthenware and stoneware. There are four distinct periods of ownership: 1770-1833 known as Spode 1833-1847 known as Copeland and Garrett 1847-1970 sole Copeland ownership 1970-2009 owned by Copeland but renamed to Spode for the 200th anniversary The importance of his innovations has been disputed, being played down by Professor Sir Arthur Church in his English Porcelain, estimated practically by William Burton, and being very highly esteemed by Spode's contemporary Alexandre Brongniart, director of the Sèvres manufactory, in his Traité des Arts Céramiques, and by M. L. Solon hailed as a revolutionary improvement. On 6th November 2008 it called in administrators, who said the china maker had been hit by the recession and left cash … Josiah Spode I was born in 1733 and after several years working for other local potters, established his own company in 1776 in Church Street, (then known as High Street) Stoke and, like his neighbour and friend Josiah Wedgwood, concentrating on the production of ceramic wares of the finest quality in a variety of bodies. A very early Low Scent Jar made pre 1800 in an early experimental Bone China body. Spode's Cabbage pattern was first introduced in about 1814 and was a copy of a Chinese porcelain design based on the so-called 'tobacco leaf' studies. Spode had the reputation of producing the best bone china in the world. Pieces date between 1790 and 1827 and may have a number beneath the stamp. Josiah Spode is known to have worked for Thomas Whieldon from the age of 16 until he was 21. Creamware Devonia shape dish in Pattern number 136 c.1800. Light grey earthenware Hydra jug with applied sprig mouldings in blue c.1825. (1) 1 product ratings - Spode Chinese Rose 629599 Square Covered Vegetable Serving Dish The Cuthbertson Story. They also made beautiful hand painted porcelain. Introduced in 1938, Spode Christmas Tree has become one of the world’s most loved festive tableware designs. Spode ‘Girl at the Well’ pattern earthenware plate, transfer printed in blue, c.1823.  Spode are credited with introducing this pattern which was copies by at least five other manufactories.  It uses the same border as Union Wreath Third. Collect antique and vintage Spode in complete sets whenever possible. (Copeland :36 fig. After some early trials Spode perfected a stoneware that came closer to porcelain than any previously, and introduced his "Stone-China" in 1813. Amazon.com. Josiah II’s china bodies, first Bone China and, from 1822, its derivative, Felspar Porcelain, outclassed all other contemporary English porcelains not just in terms of beauty but also of reliability of manufacture. He perfected the technique for transfer printing in underglaze blue on fine earthenware in 1783–1784 – a development that led to the launch in 1816 of Spode's Blue Italian range, which has remained in production ever since. The pattern number, 671, dates from around 1803-5, indicating that the piece was decorated some years after its manufacture. Start of the Spode business to 1833: the company was known as Spode. The dinnerware is made in England of high-quality earthenware, Spode's imperialware. 88–104. The well-known Spode blue-and-white dinner services with engraved sporting scenes and Italian views were developed under Josiah Spode the younger, but continued to be reproduced into much later times. FREE shipping with $99 purchase* It had pattern number 2061 and was produced on Stone China which imitated the look and feel of Chinese … An early Spode Devonia shape dish bearing the ‘Stoke China’ mark, indicating a date of manufacture of pre-1800, when Spode renamed ‘Stoke China’ as ‘Bone China’. The Spode family worked in pottery in Staffordshire as early as 1762. "Spode Felspar Porcelain" is often stamped in underglaze on the bottoms of wares, both in simple typography and in copperplate lettering surrounded by a wreath of thistles and roses. His early products comprised earthenwares such as creamware (a fine cream-coloured earthenware) and pearlware(a fine earthenware with a bluish glaze) as well as a range of stonewares inc… It remained an industrial secret for some time. Many items in Spode's Blue Italian and Woodland ranges are made at Portmeirion Group's factory in Stoke-on-Trent. The flower painting and the gilding are all done by hand. The technique of bat printing, which produced an effect similar to that of copperplate engraving on paper, was used at a number of potteries during the Regency period, but none so much as at Spode, who printed many series of designs, often on Bone China. Indeed, it was Spode II who introduced the Blue Italian range. Kakiemon original. Spode’s Bone China glazes were particularly good in the way they accepted gilding. Bone china Claw footed "beakers” in two sizes, in Pattern number 2575, c.1815-17. Josiah Spode is known to have worked for Thomas Whieldon from the age of 16 until he was 21. There are more than 300 identifying marks, datemarks and backstamps on Copeland Spode pottery going back as far as 1770, according to Heirlooms Antiques Centre. Spode porcelain, porcelain introduced about 1800 in the factory of Josiah Spode and Josiah Spode II at Stoke-upon-Trent, Staffordshire, Eng. Spode is an English brand of pottery and homewares produced by the company of the same name, which is based in Stoke-on-Trent, England. Introduced in 1816, this Spode pattern has been popular for literally centuries … Hand painted and finely gilded in an understated Georgian style and emphasizing the whiteness of the Bone China body, at the time superior to that of any English competitor. Yet the effect is spectacular. It was light in body, greyish-white and gritty where it was not glazed and approached translucence in the early wares; later Stone-Ware became opaque. Sprig mouldings are most famously associated with Wedgwood’s Jasperwares, but were in fact applied by a number of Staffordshire potters. The design, pattern number 282 is known as “Tree of Life” and is based on a Japanese Kakiemon original. The brand names Royal Worcester and Spode, the intellectual property and some of the stock were acquired by Portmeirion Group on 23 April 2009.[14]. From around 1805, Spode introduced new techniques in ground-laying, resulting in an outburst of finely executed colour on ceramics, which ushered in Regency, as opposed to Georgian, style. Spode is one of the greatest names of the Industrial Revolution. If you have other questions about our selection of Spode china replacements, please call us at (845) 357-0160 to speak with our knowledgeable sales staff. Over the years Spode china has not changed, but the company has undergone many changes. The intricate gilding shows up well on the cobalt blue ground. In Spode's similar "Felspar porcelain", introduced on the market in 1821, felspar was an ingredient, substituted for the Cornish stone in his standard bone china body, giving rise to his slightly misleading name "Felspar porcelain,"[8] to what is in fact an extremely refined stoneware comparable to the rival "Mason's ironstone", produced by Josiah II's nephew, Charles James Mason, and patented in 1813[9] Spode's "Felspar porcelain" continued into the Copeland & Garrett phase of the company (1833–1847). He focused his attention on the manufacture of porcelain, a technically more difficult but much finer material than he had previously made, introducing in 1796 a new type of porcelain which he first called “Stoke China” but shortly afterwards renamed “Bone China”, because of the high proportion of calcined ox-bone in its formula. Three generations of the Spode family operated in Stoke-upon-Trent. Porcelain Garden Pot and Stand in Pattern number 358 c.1803. "Porcelain maker Royal Worcester & Spode goes bust", Selected Royal Warrant holders of the British Royal Family, Our Lady of the Angels and St Peter in Chains Church, Greatest Hits Radio Staffordshire & Cheshire, City of Stoke-on-Trent Sixth Form College, https://en.wikipedia.org/w/index.php?title=Spode&oldid=991559655, Privately held companies of the United Kingdom, Manufacturing companies established in 1767, Articles with dead external links from June 2016, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 November 2020, at 18:17. The trade name Felspar Porcelain was used in order to compete with Coalport, who were successfully branding their wares as Felspar Porcelain. Spode's London retail shop in Portugal Street went by the name of Spode, Son, and Copeland. 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