CORONAVIRUS - THE LATEST UPDATES. Get the best deals on Copeland Spode England when you shop the largest online selection at eBay.com. The partnership continued in this form until 1847. The Worcester and Caughley factories had commenced transfer printing underglaze and over glaze on porcelain in the early 1750s, and from 1756 overglaze printing was also applied to earthenware and stoneware. The Spode family worked in pottery in Staffordshire as early as 1762. The purchase did not include Royal Worcester or Spode manufacturing facilities. The Spode Christmas Tree pattern remains one of the most popular collectibles in the Spode line and in the history of the ceramics. To adapt the process from the production of small porcelain teawares to larger earthenware dinnerwares required the creation of more flexible paper to transmit the designs from the engraved copper plate to the biscuit earthenware body, and the development of a glaze recipe that brought the color of the black-blue cobalt print to a brilliant perfection. From here you can learn about the wide variety of pottery that was made at the Spode factory including the innovations and improvements introduced by Jo Messrs Spode were succeeded in the same business in c. 1833 by Copeland and Garrett, who often used the name Spode in their marks. The traditional bone china recipe was 6 parts bone-ash, 4 parts china stone and 3.5 parts kaolin, all finely ground together. Antique shape jug in earthenware with applied sprig mouldings of Bacchanalian cherubs and fruiting vines c.1820. Spode ‘Botanical Series’ pattern earthenware plate, transfer printed in blue, c.1828.  This pattern continued to be produced throughout the Copeland and Garrett period and can be found printed in green and in brown. Free shipping on many items | Browse your favorite brands | affordable prices. His son, Josiah Spode II, was certainly responsible for the successful marketing of English bone china. WHAT IS SPODE? These are sometimes called “candlelight patterns” as in flickering candlelight, the gilding comes alive and sparkles. The history and products of the Spode factory have inspired generations of historians and collectors, and a useful interactive online exhibition was launched in October 2010.[1]. A bone china beaded Vase in Pattern number 967 which was first introduced in 1807 and remained the most popular Imari pattern for many years.of Life” and is based on a Japanese This pattern, along with many others, is comprised only of a single coloured ground (here iron red) and gilding. (Copeland :36 fig. Vast quantities of inexpensive blue-printed earthenware were made in designs often derived from Chinese originals, such as the Willow Pattern, introduced by Spode in 1790 and which became the best-known pattern in the world The source for this section is Hayden 1925, Chapter 5, pp. In 2009, Spode was bought by the Portmerion Pottery. In particular, Spode introduced hundreds of Japanese inspired Imari designs, generously gilded. The Cuthbertson Story. 88–104. It is sometimes included with the wording “Late Spode,” distinguishing these pieces with the Spode name. The technique was developed by adding calcined bone to this glassy frit, for example in the productions of Bow porcelain and Chelsea porcelain, and this was carried on from at least the 1750s onwards. It is copied from an earlier painting by Keeling in 1806 and engraved by William Greatbach, chief engraver for Spode. The well-known Spode blue-and-white dinner services with engraved sporting scenes and Italian views were developed under Josiah Spode the younger, but continued to be reproduced into much later times. Josiah II’s china bodies, first Bone China and, from 1822, its derivative, Felspar Porcelain, outclassed all other contemporary English porcelains not just in terms of beauty but also of reliability of manufacture. It had pattern number 2061 and was produced on Stone China which imitated the look and feel of Chinese … Bow-handled bucket in Bone China, decorated with pattern number 878, c.1806. He then worked in a number of partnerships until he went into business for himself, renting a small potworks in the town of Stoke-on-Trent in 1767; in 1776 he completed the purchase of what became the Spode factory until 2008. Spode is an icon of British style and craftsmanship with its extraordinary history spanning a magnificent 250 years. He is particularly recognised as having developed the technique for underglaze transfer printing on earthenware c.1784 and to have produced the first printed “Willow” patterns 1784-90s. Blue underglaze transfer became a standard feature of Staffordshire pottery. In particular these are called 'Late Spode' and include productions of the so-called 'Felspar porcelain'. (spode entrance) 1733-1833Travel through Spode’s historyDiscover the history of the Spode family and business by clicking on the timeline dates aboveExplore the evolution of Spode ceramics by clicking on the timeline images above ... Spode stone china. Spode felspar porcelain. The technique of bat printing, which produced an effect similar to that of copperplate engraving on paper, was used at a number of potteries during the Regency period, but none so much as at Spode, who printed many series of designs, often on Bone China. Overglaze "bat printing" on earthenware was a fairly straightforward process, and designs in a range of colours including black, red and lilac were produced. His early products comprised earthenwares such as creamware (a fine cream-coloured earthenware) and pearlware(a fine earthenware with a bluish glaze) as well as a range of stonewares inc… For the past 250 years, the Spode brand has brought classic china patterns to the market for generations. Painted marks are often in red and marks can also appear printed usually in blue or black, (although other colours were used) or impressed into the clay so appearing colourless. Creamware Devonia shape dish in Pattern number 136 c.1800. His early products comprised earthenwares such as creamware (a fine cream-coloured earthenware) and pearlware (a fine earthenware with a bluish glaze) as well as a range of stonewares including black basalt, caneware, and jasper which had been popularised by Josiah Wedgwood. Spode is a brand of china that was first made in the 1770s in Stoke-on-Trent, England. A spectacular effect is achieved with just two ground-laid colours (iron red and cobalt blue) and gilding. You are about to leave Spode.com to shop with .This will start a new shopping cart. Introduced in 1938, Spode Christmas Tree has become one of the world’s most loved festive tableware designs. The initial development of bone china is attributed to Josiah Spode the Second, who introduced it around 1800. Spode porcelain, porcelain introduced about 1800 in the factory of Josiah Spode and Josiah Spode II at Stoke-upon-Trent, Staffordshire, Eng. Browse and shop from a large selection of Spode Christmas Tree China and Spode Christmas Tree Dishes at Macys.com. Spode II was appointed “Potter to the Prince of Wales” when the Prince Regent visited the factory in 1806. From around 1805, Spode introduced new techniques in ground-laying, resulting in an outburst of finely executed colour on ceramics, which ushered in Regency, as opposed to Georgian, style. Many fine examples of the elder Spode's productions were destroyed in a fire at Alexandra Palace, London in 1873, where they were included in an exhibition of nearly five thousand specimens of English pottery and porcelain. Under the name 'Spode Ltd' the same factories and business was continued after 1970. Josiah Spode is known to have worked for Thomas Whieldon from the age of 16 until he was 21. As the technique for transfer printing on earthenwares was perfected, Spode’s blue and white transfer printed wares were generally considered to be among the finest ever made. Light grey earthenware Hydra jug with applied sprig mouldings in blue c.1825. Pattern number 3073 c.1821 [11] Some of the ware employed underglaze blue and iron red with touches of gilding in imitation of "Imari porcelain" that had been introduced on Spode's bone china in the first decade of the century:[12] the most familiar "Tobacco-leaf pattern" (2061) continued to be made by Spode's successors, William Taylor Copeland, and then "W.T. He focused his attention on the manufacture of porcelain, a technically more difficult but much finer material than he had previously made, introducing in 1796 a new type of porcelain which he first called “Stoke China” but shortly afterwards renamed “Bone China”, because of the high proportion of calcined ox-bone in its formula. FREE shipping with $99 purchase* Spode pattern books, which record about 75000 patterns, survive from about 1800. Spode’s Felspar Porcelain, a variety of Bone China, was developed in 1821 and subsequently became the standard formula for most English Bone China. [4] The colour paste was worked into the cut areas of the copper plate and wiped from the uncut surfaces, and then printed by passing through rollers. The Copeland and Garrett mark, which was used from 1833 to 1847. From afternoon tea and lunch to elegant dinner parties, discover iconic tableware collections at Spode. [3]. Introduced in 1816, this Spode pattern has been popular for literally centuries … Blue Italian by Spode. The portrait of Josiah Spode II shown on the right is hand painted on a Spode’s Felspar porcelain plaque, c.1820. If you have other questions about our selection of Spode china replacements, please call us at (845) 357-0160 to speak with our knowledgeable sales staff. This particular design is unusual in that an English flower subject is set within an Imari border. Spode died suddenly in 1797, and under his son, Josiah Spode II – a talented, ambitious potter himself – the company continued to go from strength to strength. When assessing the age and value of a Copeland Spode china piece, it is helpful to divide the company's history into four distinct periods of ownership, beginning with the start of the Spode company's business until 1833. 62. This plate in Pattern number 1495, c.1810, is typical. Bone china, hybrid hard-paste porcelain containing bone ash. The trade name Felspar Porcelain was used in order to compete with Coalport, who were successfully branding their wares as Felspar Porcelain. In 1922, Mr Fred Cuthbertson of Greenwich, Connecticut created the “Original Christmas Tree” pattern for fine dinnerware. But don’t worry, we’ll save your Portmeirion, Spode, Royal Worcester, and Pimpernel items for when you return. Spode Copeland discontinued china, replacements, pattern, bread plate, dinner, salad, cup and saucer, platter, vegetable bowl, dish, place settings, dinnerware Josiah Spode is also often credited with developing, around 1790, the formula for fine bone china that was generally adopted by the industry. "Porcelain maker Royal Worcester & Spode goes bust", Selected Royal Warrant holders of the British Royal Family, Our Lady of the Angels and St Peter in Chains Church, Greatest Hits Radio Staffordshire & Cheshire, City of Stoke-on-Trent Sixth Form College, https://en.wikipedia.org/w/index.php?title=Spode&oldid=991559655, Privately held companies of the United Kingdom, Manufacturing companies established in 1767, Articles with dead external links from June 2016, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 November 2020, at 18:17. Dessert plate in Bone China c1806. The key to the perfect dinner party is to plan ahead, and that includes making sure your china cabinet is stocked for every type of gathering. The pattern number, 671, dates from around 1803-5, indicating that the piece was decorated some years after its manufacture. During the 18th century, many English potters were striving and competing to discover the industrial secret of the production of fine translucent porcelain. Ball shape tea pot , sugar box and creamer with Bute shape tea cup and saucer c.1820, Spode Octagonal shape tea wares in Felspar Porcelain. At this point, Spode craftspeople did not always mark their pieces, but typically did so in red paint. "Spode Felspar Porcelain" is often stamped in underglaze on the bottoms of wares, both in simple typography and in copperplate lettering surrounded by a wreath of thistles and roses. A very early Low Scent Jar made pre 1800 in an early experimental Bone China body. [6], Among the many surviving Spode documents are two shape books dated to about 1820 which contain thumbnail sketches of bone china objects with instructions to throwers and turners about size requirements. Earthenware plate in ‘Tumbledown Dick’ pattern, pattern number 3715 c.1823. Spode color … The History of the Spode Christmas Tree China Pattern. Spode ‘Girl at the Well’ pattern earthenware plate, transfer printed in blue, c.1823.  Spode are credited with introducing this pattern which was copies by at least five other manufactories.  It uses the same border as Union Wreath Third. Spode bone china Spode’s second contribution to the history of porcelain was the development, around 1790, of the formula for fine bone china that was generally adopted by the industry. 1799 is the most likely date but it could perhaps be even a little earlier from circumstantial evidence. Josiah Spode I is credited[2] with the introduction of underglaze blue transfer printing on earthenware in 1783–84. Shop our sites: Shopping Spode . Spode teawares bat printed in black on drabware, a form of coloured earthenware. This was then dipped in the glaze and returned to the kiln for the glost firing. Three generations of the Spode family operated in Stoke-upon-Trent. Yet the effect is spectacular. An early Spode Devonia shape dish bearing the ‘Stoke China’ mark, indicating a date of manufacture of pre-1800, when Spode renamed ‘Stoke China’ as ‘Bone China’. Examples of both services illustrated in Copeland1998:35 figs 59, 60. and the company continued on the same site for nearly 250 years. Spode is one of the greatest names of the Industrial Revolution. On our page, Historic Spode Factory — The People, china painter Denis Emery can be seen decorating a Rhododendron pattern plate. Over the years Spode china has not changed, but the company has undergone many changes. Stonewares are particularly strong and less susceptible to breakage than earthenwares and Jasperwares. Today, we continue to develop collections with the same quality and craftsmanship as Josiah Spode I and his son. In Spode's similar "Felspar porcelain", introduced on the market in 1821, felspar was an ingredient, substituted for the Cornish stone in his standard bone china body, giving rise to his slightly misleading name "Felspar porcelain,"[8] to what is in fact an extremely refined stoneware comparable to the rival "Mason's ironstone", produced by Josiah II's nephew, Charles James Mason, and patented in 1813[9] Spode's "Felspar porcelain" continued into the Copeland & Garrett phase of the company (1833–1847). Soapstone porcelains further added steatite, known as French chalk, for instance at Worcester and Caughley factories.[5]. Spode’s Rhododendron pattern created in 1948. There are four distinct periods of ownership: 1770-1833 known as Spode 1833-1847 known as Copeland and Garrett 1847-1970 sole Copeland ownership 1970-2009 owned by Copeland but renamed to Spode for the 200th anniversary They were known for their bone china and their parian figures. They also made beautiful hand painted porcelain. With a history of serving royalty and even as the dinnerware for the Titanic, Spode is a renowned name that belongs in your china collection! He perfected the technique for transfer printing in underglaze blue on fine earthenware in 1783–1784 – a development that led to the launch in 1816 of Spode's Blue Italian range, which has remained in production ever since. There are more than 300 identifying marks, datemarks and backstamps on Copeland Spode pottery going back as far as 1770, according to Heirlooms Antiques Centre. Pieces date between 1790 and 1827 and may have a number beneath the stamp. Spode also used on-glaze transfers for other wares. The merged company entered administration on 6 November 2008. Amazon.com. Hand painted and finely gilded in an understated Georgian style and emphasizing the whiteness of the Bone China body, at the time superior to that of any English competitor. Enjoy the variety of ceramics produced by the Spode factory and see the quality of productions that won them appointments as Potters to the Royal Family. [13] After 1847 the business continued until 1970 as W.T. Josiah Spode I was born in 1733 and after several years working for other local potters, established his own company in 1776 in Church Street, (then known as High Street) Stoke and, like his neighbour and friend Josiah Wedgwood, concentrating on the production of ceramic wares of the finest quality in a variety of bodies. Spode's London retail shop in Portugal Street went by the name of Spode, Son, and Copeland. He then worked in a number of partnerships until he went into business for himself, renting a small potworks in the town of Stoke-on-Trent in 1767; in 1776 he completed the purchase of what became the Spode factory until 2008. One copy is in the Joseph Downes collection at Winterthur Museum, Gardens, and Library, Delaware, USA.[7]. Feel free to call Elegant Findings Antiques if you have any questions about our antique Spode china. Spode china and dinnerware will help you set the table with impeccable style. The company was eventually bought by the Copeland family, then in 2009 it was acquired by the Portmeirion Group. Spode is an English brand of pottery and homewares produced by the company of the same name, which is based in Stoke-on-Trent, England. Green glazed earthenware pierced Violet Pot c.1820. The Invention of Bone China: The Spode company, under Spode I and Spode II, is credited by potters, collectors, researchers and other experts with having perfected the bone china formula before 1800. Thanks for visiting Portmeirion Group. Spode was founded by Josiah Spode (1733–1797) in 1770, and was responsible for perfecting two extremely important techniques that were crucial to the worldwide success of the English pottery industry in the century to follow. Many items in Spode's Blue Italian and Woodland ranges are made at Portmeirion Group's factory in Stoke-on-Trent. Indeed, it was Spode II who introduced the Blue Italian range. The dinnerware is made in England of high-quality earthenware, Spode's imperialware. Gift boxed. Copeland & Sons, late Spode". Spodes's pattern 967, the most popular imitation of "Imari" wares, was recorded in 1807. Spode’s Bone China glazes were particularly good in the way they accepted gilding. 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